Best Video Games of 2016

Best Video Games of 2016

2016 was an amazing year for gaming. Overwatch blew the multiplayer shooter scene, Dishonored and Titanfall both delivered fantastic sequels (with time twists!), Doom proved that single player shooters are still fun to play, and No Man’s Sky was not worth the hype (to say the least).

It was a great year for indies such as: Oxenfree, The Witness, Inside, Firewatch, Virginia, Abzû… The list goes on and on.

Anyways, without further ado. Here are my favorites games of 2016.


The Favorites:

  • Deus Ex: Mankind Divided
  • Dishonored 2
  • DOOM
  • Firewatch
  • Forza Horizon 3
  • Hitman
  • Hyper Light Drifter
  • Inside
  • Overwatch
  • Oxenfree
  • Superhot
  • The Last Guardian
  • The Witness
  • Titanfall 2
  • Virginia

The Honorable Mentions:

  • Abzû
  • Bad Chess
  • Clash Royale
  • Battlefield 1
  • Dark Souls 3
  • Fire Emblem Fates: Birthright/Conquest
  • Gears of War 4
  • That Dragon, Cancer
  • Uncharted 4: A Thief’s End
  • Watch Dogs 2

Didn’t play (yet):

  • Thumper
  • Rex Infinite
  • Event[0]
  • Darkest Dungeon
  • Final Fantasy XV
  • SteamWorld Heist
  • Stephen’s Sausage Roll
  • The Banner Saga 2
  • Lovers In a Dangerous Spacetime
  • Ratchet and Clank
  • Stardew Valley
  • Owlboy
  • XCOM 2
  • Civilization 6
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Best Music of 2016

Best Music of 2016

What a year! It was difficult for me to choose the albums for this list. I could talk for hours about the albums and songs that I liked, especially Frank Ocean’s Blonde and ENDLESS.

Here are my favorite albums and tracks of 2016.


The Favorites (in alphabetical order):

  • Angel Olsen – MY WOMAN
  • Beyoncé – LEMONADE
  • Blood Orange – Freetown Sound
  • Bon Iver – 22, A Million
  • Car Seat Headrest – Teens of Denial
  • Chairlift – Moth
  • David Bowie – Blackstar
  • Frank Ocean – Blonde/ENDLESS
  • James Blake – The Colour In Anything
  • Jenny Hval – Blood Bitch
  • Mitski – Puberty 2
  • Nick Cave and the Bad Seeds – Skeleton Tree
  • Radiohead – A Moon Shaped Pool
  • Rihanna – ANTI
  • Solange – A Seat at the Table

The Honorable Mentions:

  • Anderson .Paak – Malibu
  • ANOHNI – HOPELESSNESS
  • Chance the Rapper – Coloring Book
  • Danny Brown – Atrocity Exhibition
  • Frankie Cosmos – Next Thing
  • JoJo – Mad Love.
  • Kanye West – The Life of Pablo
  • Kaytranada – 99.9%
  • Leonard Cohen – You Want It Darker
  • Noname – Telefone
  • A Tribe Called Quest – We got it from Here… Thank You 4 Your service
  • Weyes Blood – Front Row Seat to Earth
  • Whitney – Light Upon the Lake

Favorite Tracks:

 

 

Mixtape #18

Last mixtape for 2016. WHAT A YEAR!

I’ll leave you with it as I start the difficult task of choosing the best tracks and albums of the year.

Mixtape #17

Solange dropped one of the best albums of the year on us. Nick Cave was back with one of the saddest albums in a while. Meanwhile, JoJo is finally releasing her third album literally 10 years after the release of The High Road, and 2016’s breakout star Anderson .Paak is back with a new song as NxWorries (duo with Knxwledge).

Mixtape #16

Summer is over (although the weather is still hot). Here’s my latest mixtape, featuring comebacks from Frank Ocean and Bon Iver, as well as new names such as Noname (no pun intended) and Lucy Dacus.

Album review: Blond(e)/ENDLESS

Album review: Blond(e)/ENDLESS

Frank Ocean, as you might have known if you’re following any news outlets, or just following me, released two new albums last weekend. Yes, TWO.

Frank’s journey, from releasing nostalgia, ULTRA, his pretty good mixtape, to releasing his debut masterpiece channel ORANGE allowed him to build himself a relatively big following. And ever since, the crowd has been longing for more music from the reclusive genius. After a two-year hide & seek game and hinting at having a finished album and a magazine both titled Boys Don’t Cry. Last week, Frank finally released his album, but to the surprise of everyone, it was a visual album called ENDLESS and not the long promised Boys Don’t Cry. Immediately after the release of the album, news broke that Boys Don’t Cry will follow on the same weekend, but with a different title, Blond(e).

ENDLESS is a something unexpected from Frank, it is an experimental effort and contains tracks that were possibly left out from Blond. And although the album isn’t perfect, it has many great tracks. The Isley Brothers’ cover “At Your Best (You Are Love)”, alongside “Rushes” are the highlights of the album. Both showing the emotional depth of Frank’s vocals and how he can really convey his emotions through music.

On the other hand, we have Blond, which is nothing like channel ORANGE, but that’s not a negative comment. It’s very different from his previous releases, both sonically and lyrically.

The album’s opening track, “NIKES”, is a beautiful mess with a great accompanying music video. It continuously keeps hinting at Frank’s two versions. Two versions of what? It might be the two virgin girls in the video, the two Virgin Mary statues in the video, or, most likely, two versions of him, with it possibly being a comment on his bisexuality. This can also be seen with the album’s title, with blond being the masculine adjective and blonde being the feminine adjective, showing Frank’s two sides. The track is remarkable, and is definitely a good choice for the leading single, but it definitely would have been a much better track without the overly used high/low pitched voices.

Then we have “Ivy”, one of the album’s highlights, where we have Frank singing with an innocent and smooth tone about looking back at a failed relationship and how the relationship was destined to fail.

In “Solo”, Frank sings about being solo, and feeling “so low” emotionally. The track is preceded by “Be Yourself” which is a recorded call from a mother telling her son to be careful and not use alcohol or drugs, possibly showing us how much he appreciates and loves his mother. And let’s not forget “Solo (Reprise)”, the track with the only major vocals on the album by someone other than Frank. We hear André 3000 deliver an explosive verse where he reflects on his past years while also making aggressive comments on one of rap’s major issues, ghostwriters.

The rest of the tracks are just as good, we have the ethereal “Pink + White” with minor vocals by Queen Bey herself. The fantastic “Nights”, where Frank abruptly changes the tone in the middle of the track, marking the end of the first half of the album. Then we have the confident “Self Control” featuring vocals by Slow Hollows’ Austin Feinstein, the heart-breaking “Seigfried”, and the melancholic “White Ferrari”.

The albums will please fans and new listeners alike. Some songs will be appreciated immediately, while others will require a few more listens. Frank has definitely matured in the past four years, and this is a proof of that. They mark a new chapter in his life and I truly can’t wait for the next one, whether it’s out this year, or after five years.

Go buy Blonde and ENDLESS.


Final verdict: Essential